Relative Motion
After a chance meeting in a train carriage, a brilliant physics student falls in love with an aspiring writer, but as their relationship becomes increasingly unbalanced, she starts to recognise that even their love is constrained by relativity.
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This play is currently in development in collaboration with Very Rascals.
In The Room
Stephanie Greenwood
Writer | Actor
Born in London and raised in France, Stephanie Greenwood is a British/South African actor and writer. Stephanie graduated with a BA (hons) in Theatre and Politics from Dartmouth College (USA) and is currently completing her MFA in Acting at the Royal Conservatoire of Scotland. She co-founded the theatre company Very Rascals which focuses on producing work by women and non-binary theatre artists.
Theatre Credits Include: Trompe L'Oeil (Emergence Festival/Very Rascals), The Present Tense (Emergence Festival), Fill Fill Fill Fill Fill Fill Fill (Royal Conservatoire of Scotland); As You Like It (Royal Conservatoire of Scotland); Twelfth Night (Shakespeare’s Globe/Royal Conservatoire of Scotland); It’s Beautiful, Over There (Edinburgh Festival Fringe/The Tristan Bates Theatre – performer and writer); Soldier On (UK Tour/The Other Palace Theatre, London); Revolt. She Said. Revolt Again. (The Space Theatre, London/Blue Stocking Effigy).
Film/TV credits include: The Dames (The Dames/RCS), Take a Bath (Bacchae Productions).
Meghan de Chastelain
Director
Meghan is a Canadian-British artist and holds a BFA in Acting from the University of Windsor. Theatre credits include: The Virgin Trial (Director, The Royal Conservatoire of Scotland); A Benevolent Alliance of Mourners and Feral (Director, emerGENce Theatre); A Midsummer Night’s Dream (Assistant Director, Bard in the Botanics); Absolute Bowlocks!, Milkshake and The Ticket Meister (Assistant Director, A Play, A Pie And A Pint); Watching Glory Die (Assistant Director, Windsor Feminist Theatre); and The Stratford Shakespeare School (Assistant Director, The Stratford Festival). As a creator, Meghan co-devised Bus Stop To (K)nowhere, which won the Multicultural Council of Windsor and Essex CINA Award and is currently writing her newest work A Cocktailer’s Guide to Surviving a Pandemic, which was one of the Award winners for Sam Heughan’s Write Start Competition. Website: meghandechastelain.com
Ausette Anderies
Producer
Ausette is a Glasgow-based actor and producer. She recently completed her MFA Acting Classical and Contemporary Text at the Royal Conservatoire of Scotland, and previously trained with Prague Shakespeare Company, Utah Shakespeare Festival, and Herberger Institute. She has also studied movement work, including ballet (Royal Academy of Dance), salsa, bachata, and swing.
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She is deeply interested in telling stories that explore ethical dilemmas, power dynamics, and the shared values that arise within communities in response to these issues. She is hoping to engage with new works, as well as reimagining and repurposing classical texts for modern audiences. Much of her work focuses on outreach and accessibility to subjects including Shakespeare, climate science, and space for thoughtful expression.
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Sam Turlington
Executive Producer
Sam Turlington [they/them] is an American actor/creator from NYC. They hold a BFA from The New School and The American Musical and Dramatic Academy and an MFA in Classical and Contemporary Text from The Royal Conservatoire of Scotland.
Theatrical and vocalist credits include: The Virgin Trail (Royal Conservatoire of Scotland); As You Like It (RCS); Twelfth Night (Shakespeare’s Globe/RCS); Wall 2 Wall: Stephen Schwartz (Symphony Space); Rockabye Hamlet (OTG); An American Victory (Original Studio Cast Recording); Soldiers & Other Living Things (14th St. Y); The Magic Flute (80WSE Gallery); Taming of the Shrew, Much Ado About Nothing (OpenAir Shakes); Oddity (Trans Theatre Festival)
Film/TV credits include: One Minute Before (Jérémie Dameme); Pandora's Box: Unleashing Evil (Sharp Entertainment); Deadliest Decades: 1990s (Lion Television); Morning Routine (Cusack/RCS)
In addition to a performance career, Sam is equally at home as a director, educator, producer and consultant.
